02/06/2018

The Rapidly Changing Dynamics Of Australia’s Grid

RenewEconomy - 


The politics may not change much, but Australia’s electricity grid is changing before our very eyes – slowly and inevitably becoming more renewable, more decentralised, and challenging the pre-conceptions of many in the industry.
The latest National Emissions Audit from The Australia Institute, which includes an update on key electricity trends in the National Electricity Market, notes some interesting developments over the last three months.
  • Renewables-rich South Australia became a net electricity exporter for first time;
  • 12 new wind and solar farms totalling 1050MW of capacity were added to the grid, including 500MW of large-scale solar, trebling the amount of large-scale solar in the system;
  • The continued rapid uptake of rooftop PV by homes and businesses kept a lid on grid demand, even if overall consumption showed a rise, and;
  • Electricity generation emissions in the NEM fell again, but only slightly.

The most surprising of those developments may be the South Australia achievement, which shows that since the closure of the Hazelwood brown coal generator in March 2017, South Australia has become a net exporter of electricity, in net annualised terms.
Lead author Hugh Saddler notes that this is a big change for South Australia, which in 1999 and 2000, when it had only gas and local coal, used to import 30 per cent of its electricity demand.
The fact that wholesale prices in South Australia were higher in other states – then, as they are now – has nothing to with wind and solar, but the fact that it has no low-cost conventional source and a peaky demand profile (then and now).
“The difference today is that the state is now taking advantage of its abundant resources of wind and solar radiation, and the new technologies which have made them the lowest cost sources of new generation, to supply much of its electricity requirements,” Saddler writes.
He notes that way back in the 1950s, when the local supply problem was first recognised, the then Electricity Trust of South Australia undertook a study into the feasibility of wind generation, about half a century before it was actually built.
Other things to note about the flows between states is that Victoria was about equal on imports and exports with its three neighbouring states, despite the closure of Hazelwood, while NSW continues to import around 10 per cent of its needs from Queensland.
This has nothing to do with the lack of supply in NSW. Its coal generators continued to deliver only around two-thirds of the time, it’s just that NSW plants are older and more expensive than the ones in Queensland.

Another interesting point is that gas-fired generation has increased in the last year or two in South Australia as a result of the Northern closure, but is still below the levels of a decade ago.
But because it is expensive, this is likely to spur more investment in storage.
As for rooftop solar, Saddler notes that the share of residential solar in the grid is still relatively small but it is the most steadily growing generation source in the NEM. (See red line in chart below).

That line is expected to grow steadily. By 2040, or perhaps 2050, the share of distributed generation, which includes rooftop solar, battery storage and demand management, is expected to reach nearly half of all Australia’s grid demand.
Saddler, says, however, that the increase in large-scale solar over the last few months is a significant milestone in Australia’s transition towards clean electricity generation. (See very top graph).
“Firstly, they are a concrete demonstration that the construction cost advantage, which wind enjoyed over solar until a year or two ago, is gone.
“From now on we can expect new capacity to be a mix of both technologies. Indeed, the Clean Energy Regulator states that it expects solar to account for half of all (new renewable) capacity by 2020.”

As for the change in emissions, this graph above tells the story, the brown line is key – there was another slight fall in the latest period.
But Australia – thanks to the closure of coal-fired generators and their replacement with wind and solar – has cut emissions by 18 per cent from the electricity grid in a decade.
Sadly, the government target is just a 26 per cent reduction from 2005 levels by 2030. Most of the rest of the target will be met over the next two years when the build-out of more wind and solar to meet the renewable energy target is completed.
Then what?

Links

6 Must-See Movies About Climate Change

Climate Reality Project

Six deeply engaging and thought-provoking films shine a light on the realities of the climate crisis today – and imagine what it means for our tomorrow. 


Truly great films about the climate crisis are tough to come by.
 Allusions to environmental destruction are very familiar in the futuristic dystopias Hollywood churns out like clockwork, but they rarely get the science right – or they abandon it entirely in favor of skipping straight to some post-apocalyptic CGI extravaganza.
Those of us with a little knowledge of the climate crisis bristle at this kind of doom-and-gloom bombast – because we know better.
But that doesn’t mean a few thoughtful films haven’t been able to cut through the noise.
Below are six of our favorites.
We decided to spice it up by mixing narrative films with documentaries – and while our changing climate understandably casts a long, dark shadow over any future that wrestles with its impacts, we did our best to stay on the right side of the fine line between raucous, factually dubious calamity and thought-provoking “what if” explorations or science-centered spectacle.


INTERSTELLAR
Director Christopher Nolan’s Interstellar is that rarest of Hollywood anomalies – a wildly complicated, lavishly expensive, wholly original mainstream blockbuster. It doesn’t exist in the Marvel or DC cinematic universes; instead, it occupies a not-so-distant-future version of our very own – and things aren’t exactly going great. 
While the words “climate change” are never explicitly said in the film, the impacts of the crisis are writ large, driving a plot about an attempt to flee a near-future Earth reeling from drastically changing weather patterns and global food shortages for the safety of a new habitable planet.
Featuring one of the most stacked casts in recent memory, including Oscar winners Matthew McConaughey, Anne Hathaway, Michael Caine, and Ellen Burstyn and nominees Jessica Chastain, Timothée Chalamet, and John Lithgow, Interstellar takes on a very real consequence of climate inaction, though it offers up an untenable solution.
After all, there’s still no Planet B.


BEASTS OF THE SOUTHERN WILD
Living in a Louisiana bayou community called “the Bathtub,” six-year-old Hush Puppy (youngest-ever Best Actress Oscar nominee Quvenzhané Wallis) can’t get the prehistoric aurochs her teacher tells her will be released from melting ice caps off her mind – even as the world in front of her crumbles and cowers, the victim of powerful storms, failing levees, and familial health problems.
While the film’s setting is technically fictional, it was inspired by several very real fishing villages in Southern Louisiana's Terrebonne Parish. These small, isolated wetland communities are threatened by climate-driven erosion, extreme weather, and rising sea levels. Most notable among them is the rapidly disappearing Isle de Jean Charles, former home of “the first American climate refugees.”


CHASING CORAL
The 2017 documentary Chasing Coral enjoys a rare accolade: It is one of a pretty short list of films to hold a 100 percent “fresh” rating on popular review aggregator Rotten Tomatoes.
That coral reefs are existentially threatened by the climate crisis is a truth near-universally acknowledged. But filmmaker Jeff Orlowski doesn’t simply telegraph a report on this impending ecological catastrophe.
Instead, Orlowski infuses his film with such empathy and ardor for our world’s oceans and their vibrant ecosystems – as well as those working hard to save what’s left – that it’s impossible to not walk away pumped up and ready to join the fight.



SNOWPIERCER
Like we already mentioned, we try to avoid cynical, despondent hot takes on the climate crisis. But we’re fans of director Bong Joon Ho’s Snowpiercer for two big reasons: First, it’s a very, very good, wildly underseen film, and second, because it confronts head-on the dangers of a “we’ll deal with this later” approach to climate action.
The film is set in a future where a failed geoengineering experiment to counteract climate change plunges the planet into a new ice age, killing all life except for those lucky enough (a phrase we’re using loosely here) to have boarded the titular train. This train now circles the globe on a constant loop and a tyrannical class system has taken hold onboard.
It’s an important cautionary tale: While we should investigate any and all scientific developments to stop the climate crisis, dangerous gambles like geoengineering – or for that matter, fleeing our planet for an imagined oasis somewhere deep in the universe – could come with unintended consequences. So, why risk it when we know for sure that quickly transitioning from fossil fuels to renewables can and will work?
There’s even an important philosophical principle – one at work in another great, underappreciated sci-fi film, 1997’s Contact – to back this one up. Attributed to fourteenth century logician and Franciscan friar William of Ockham, Ockham's Razor states… well, Jodie Foster’s Dr. Ellie Arroway put it best: “All things being equal, the simplest answer is usually the right one.” We agree, Dr. Arroway.
Note: For all its incredible imagination, Snowpiercer definitely has some moments of real violence and isn’t one for younger audiences.


AN INCONVENIENT TRUTH / AN INCONVENIENT SEQUEL: TRUTH TO POWER
Now, of course, the film that started a movement – and the follow-up that propelled it to new heights.
After seeing former US Vice President Al Gore’s An Inconvenient Truth, people worldwide finally understood the reality of the climate crisis devastating our planet. For many, it was the moment they knew they personally had to do something about it. The film’s impact continues to be felt more than a decade after it won the 2007 Academy Award for Best Documentary and took its place among the highest-grossing documentaries ever.
Last year’s follow-up, An Inconvenient Sequel: Truth to Power, took that story further, showcasing both the amazing progress that’s been made as well as how much further we still have to go to solve the climate crisis.
Both documentaries present the science and stakes of the crisis and ask viewers if they’re ready to fight like our world depends on it (because it does).


Links

Margaret Atwood: Women Will Bear Brunt Of Dystopian Climate Future

The Guardian

Booker prize-winning author predicts climate reality will not be far from scenarios imagined in her post-apocalyptic fiction
Margaret Atwood is speaking at the British Library as part of Under Her Eye, a women and climate festival. Photograph: Liam Sharp
Climate change will bring a dystopian future reminiscent of one of her “speculative fictions”, with women bearing the brunt of brutal repression, hunger and war, the Booker prize-winning author Margaret Atwood is to warn.
“This isn’t climate change – it’s everything change,” she will tell an audience at the British Library this week. “Women will be directly and adversely affected by climate change.”
The author, whose landmark novel The Handmaid’s Tale has been turned into an acclaimed TV series depicting a dystopian future in which women are deprived of all rights and turned into breeding machines for men, predicts conflict, hardship and an increasing struggle for survival for women as climate change takes hold.
“More extreme weather events such as droughts and floods, rising sea levels that will destroy arable land, and disruption of marine life will all result in less food,” she explained before the event. “Less food will mean that women and children get less, as the remaining food supplies will be unevenly distributed, even more than they are.”
The results she predicts bear a strong similarity to some of the futures she imagines in her fiction, including the post-apocalyptic novel Oryx and Crake, in which the treatment of women in conflict-ridden societies is a strong theme. She went on: “[Climate change] will also mean social unrest, which can lead to wars and civil wars and then brutal repressions and totalitarianisms. Women do badly in wars – worse than in peacetime.”
The Handmaid’s Tale has been turned into an acclaimed TV series. Photograph: MGM/Hulu
Under Her Eye – the title is taken from The Handmaid’s Tale – will bring together prominent figures from the arts, politics and science in a two-day festival devoted to exploring women’s futures under climate change and environmental damage, and proposals for avoiding the worst effects of global warming, some of which are already “locked in” because of our failure to cut greenhouse gas emissions as rapidly as scientists have advised.
Alice Sharp, director of the arts and science organisation Invisible Dust, which is curating the festival, told the Guardian she hoped the event would be the first of many. “We think this is the first time that the arts, sciences and politics of climate change have been brought together under one roof with a focus on women,” she said. “Women’s voices are too rarely heard in discussions of climate change.”
One of the leading women speaking at the conference is Christiana Figueres, the former UN climate chief, who oversaw the signing of the Paris climate agreement in 2015. She said: “Climate change remains one of the greatest threats to achieving sustainable development and its effects fall hardest on women.”
But she sounded a note of hope, acknowledging the activism of women on environmental issues. “Countering this reality is the gritty determination, boundless energy and unwavering spirit of women across the world, whose knowledge, skills and leadership are being harnessed in delivering solutions. Climate change is one area in which women have decisively contributed to the progress we are making.”
The two-day event will take place on Friday and Saturday at the British Library, as part of the 2018 centenary of women’s suffrage, and will feature screenings, performances, talks and debates. Among the 40 speakers will be Prof Joanna Haigh, co-director of the Grantham Institute, one of the world’s leading centres on climate policy and science; former Nasa science editor Laura Tenenbaum; Kate Raworth, self-styled “renegade economist” and author of Doughnut Economics; and New Zealand artist Ahilapalapa Rands.
Women’s lives, particularly in developing countries, are likely to be more affected by climate change than those of men, because they are so reliant on agriculture, and bear the burden of work such as fetching scarce water and firewood, and have fewer options than men, who tend to be more mobile. Women and children are also worst affected by indoor air pollution, caused by smoky cooking fires.
Yet the annual meetings on climate change held by the UN have few forums for discussing the particular problems faced by women, and women make up only a minority of the delegates.
Caroline Lucas, co-leader of the UK’s Green party, who will also take part, said: “We know that women in the arts give a unique perspective when it comes to climate change, and that they will have an important role to play in the future. There is a rich history of women guarding our environment, which is why they should be front and central to efforts aiming to counteract climate change.”

Links

New Documentaries Bring Climate Change To The Big Screen

Grist |  | 

The Human Element
Courtesy of Mountainfilm  
Grist traveled to the tiny mountain town of Telluride, Colorado, to see some of the most talked-about environmental and climate change-related documentaries on the film-festival circuit. The films take on the challenge of addressing migration — both of humans and animals around the world — as well as the startling realities of communities facing climate change and environmental degradation today.
In all, there were more than 150 movies and shorts featured during the long weekend, but here’s the lowdown on a few noteworthy films.

Anote’s Ark
If you type “Kiribati” into Google Maps, it takes a while and requires multiple zooms to find it. That exercise is somewhat symbolic because the tiny Pacific island is literally trying to keep itself on the map. Rising sea levels are quickly drowning the home to almost 115,000 people.
Anote’s Ark
Courtesy of Mountainfilm
Anote’s Ark follows Kiribati’s former president, Anote Tong, and his frantic attempt to save the land for his people. A perfect example of how poorer nations are more likely to feel the brunt of climate change and extreme weather, the film effectively illustrates the heartbreak of losing one’s home to the ocean — as well as the staggering challenge of relocating an entire country’s population.
While the film is a powerful portrayal of how climate change is impacting communities right now, its various storylines don’t quite connect. The documentary also leaves viewers fairly hopeless — which is true of most films dealing with climate change. But for us at Grist, we’re all about holding out hope.

The Human Element
Tangier Island, off the coast of Virginia, is drowning amid rising sea levels. A school in Denver caters exclusively to students with health issues, specifically asthma caused by air pollution. These are two of the examples of how climate change is already impacting Americans that form the theme of James Balog’s (Chasing Ice) latest work, The Human Element.
Balog uses the four elements — air, earth, fire, and water — to frame how we look at the impact of humans on our climate. In addition to the plight of Tangier and the air pollution in the Mile High city, he follows forest firefighters in California and takes a trip back to the coal mines in Pennsylvania that killed his grandfather.
The dramatic realities of climate change are, well, very scary and honestly depressing. And The Human Element does an excellent job making that abundantly clear. It grounds our understanding of warming in real-world, close-to-home examples that don’t sugarcoat the present or the future. Sure it relies on some heavy-handed scare tactics; but upon reflection, that might be exactly what we need to get our asses into gear.

Brothers of Climbing


“If you don’t see any black people or any people of color climbing, you’re not going to think you can do it,” Brothers of Climbing cofounder Mikhail Martin says in this seven-minute minidoc. The organization seeks to reach underrepresented groups and inspire them to take up outdoor activities, starting with climbing.
The short film, presented by REI Co-op, traces the history of the organization, which started with a group of black friends at a New York City gym — not exactly climbing country. It follows the Brothers of Climbing’s trip to the mountains of Chattanooga, Tennessee, where they encounter disbelief from others that they are actually rock climbers.
The film is pretty inspiring, and it’s on YouTube, so you don’t even have to travel all the way to Telluride.

Silas
Silas Siakor is one of those people whose accomplishments, numerous accolades, and genuine humanity makes you feel like you’ve accomplished absolutely nothing in your life. An activist first and foremost, Silas fights relentlessly to hold the government of Liberia accountable for decades of corruption and environmental destruction. The West African country was once rich with forests, but international companies have demolished one-third of its timber for palm oil plantations, grabbing land from far-flung communities with the blessings of Liberian officials.
The film offers a genuine tale of human strength and resilience in a country still recovering from a 25-year civil war. Its intimate scenes of vulnerability leave the viewer invested in Silas’ mission, while its clips of international leaders heaping praise on former President Ellen Johnson Sirleaf leave the viewer awestruck at the outside world’s relatively rosy picture of a Liberian government stained with corruption.

Blue Heart
Blue Heart
Courtesy of Mountainfilm
Hot dam! That’s the crux of Blue Heart, a film about Balkan battles over hydropower. The story centers around activists in three countries fighting a handful of the roughly 3,000 proposed dams in the region.
Blue Heart, produced by the outdoor clothing company Patagonia, captures the struggle between environmental activists and energy developers in Albania, Macedonia, and Bosnia and Herzegovina. In one story, a group of 55 women blocking a construction project on the Kruščica River are violently removed by police — a scene which bears striking resemblance to recent pipeline fights in the United States.
Here’s the thing: If the world wants to transition away from fossil fuels, hydropower will likely play a role. But hydropower’s reliable renewable energy comes at the expense of river ecosystems and the surrounding communities. The film barely scratches the surface of this conflict between fighting climate change and protecting natural world, instead only focusing on the corporate-greed aspect of dam projects. But at its best, Blue Heart tells a classic underdog story of ordinary people fighting back against energy projects that disrupt and endanger communities — a struggle that’s playing out worldwide.

Links