"Waterlicht," Rotterdam, 2018. Studio Roosegaarde |
"When I was a boy, I wasn't even allowed to play outside without my swimming diploma," said artist Daan Roosegaarde, founder of the Rotterdam-based social design lab Studio Roosegaarde. "In the Netherlands, we are surrounded by water. Without technology, we would literally all drown."
Today, 90 percent of Rotterdam sits below sea level, and its historically intimate relationship with water has undergone a thoroughly modern makeover in preparation for the impacts of climate change. And just like the Dutch engineers who are sharing their creative approaches to sea level rise with the world, Roosegaarde is showing his art in the hopes of inspiring innovation.
"Waterlicht," Rotterdam, 2018. Studio Roosegaarde
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Late last month, Waterlicht made its hometown debut at the Kunsthal museum, attracting 25,000 visitors in only three evenings. It was the project's 12th stop since 2015. Other 2018 hosts included London's Granary Square, the United Nations headquarters in New York, and the Bentway in Toronto.
Each installation is site-specific, and the team might spend six months preparing for an exhibition that lasts just a few nights. (In the case of the U.N. installation, it took three years just to get the permits.) A major part of the challenge, Roosegaarde said, is "undesigning" the landscape. Waterlicht is always presented outdoors after sunset, and for maximum effect, the studio must work with local authorities and businesses to minimize light pollution. Sometimes the organizers even rent billboards simply to turn them off. The goal is to make it dark enough to create the appropriate atmosphere, but light enough to ensure a safe experience for visitors. "It's a puzzle every time," Roosegaarde said. Following a Nov. 11 opening in Dubai, the artist doesn't yet know where Waterlicht will travel next. Venice is his "dream location," for obvious reasons.
Intangible waves undulating against the night sky like the ghost of climate change future is a haunting sight. But it's also a thrilling, mesmerizing one, and Roosegaarde hopes it fosters creative thinking. As the designer sees it, we already have the tools we need to build a more livable world.
"It's not a lack of technology," Roosegaarde said. "It's a lack of imagination for what we want the future to look like. The role of public art is a really great trigger to create this collective experience where people are curious, not afraid."
"Waterlicht," Rotterdam, 2018. Studio Roosegaarde
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Daan Roosegaarde at "Waterlicht," Rotterdam, 2018. Studio Roosegaarde
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If he's right, it's high time the world dove in.
Links
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